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DON’T WORRY, MA, NOTHING IS GONNA BE ALRIGHT / SECRETS OF MY LIFE
Ivan Gatsby and Isaac Lauren, the perfect media and business profilers, besides being widely hailed as the premier creative force, are finally honouring the public with their debut album heralding GATSBY & LAUREN MEGAHIT CATALOGUE (2007-2012), as well as their PLATINUM BY DEFAULT* e-DITION, featuring the acts, created in vitro (in-house) and developed by GATSBY and LAUREN. The acts shall perform the songs exclusively composed, arranged, enginereed, produced and (co)performed by GATSBY and LAUREN.
Ivan Gatsby and Isaac Lauren are currently in the procedure of finalising their privately developed software relating to calculating the ratio of the hit potential and commercial efficiency of any song they create.
The Catalogue, a start-up IP ( Intellectual Property) asset featuring or to- feature more than 200 songs (upgradeable by 2008.) with hit and megahit potential by the parameters and logarhytms of a privately developed software engine, named for the purpose *Hit Potential Meter*, starts the string of releases to follow-up, kicking off with a to-be instant classic THE WORLD WE ARE A-CHANGIN’.
This album, currently in recording, has been propheted by those precious few who have witnessed the development thereof, to turn into an instant all-time classic and a commercially exploitable item up to it’s full capacity in years and decades to come. Gatsby and Lauren, having developed the Catalogue of potentially strong hit songs, lining up in-house act roster, as well as creating a sustainable business and marketing business designs applicable thereto, are deciding to step out into the music industry on their own, as a one-off performers.
Their albums to follow shall include TURN OF THE CARDS (2008) and (working title for the last release of the edition: PLATINUM BY DEFAULT (2009)- alternatively: BLOW-UPS ( provided PLATINUM DEFAULT title would still be used as the edition title), the latter projected to employ revolutionary voice processors (in-development at this stage).Their songs shall be performed live by the ARIEL tHE TEMPLAR, their pillar project, a stadium outfit who is expected to attain the ‘social role next to Bob Dylan’s’ and The Beatles’ in the years to come.
The broad set of musical and otherwise targets Gatsby and Lauren have set thereupon, shall be by no doubt met with their unique repertoire, unifying the variety of genres and related subgenres applied thereto, the mission and and the purpose of their Project-Acts.
Up to this very point, the publicly-known outtings by Gatsby and Lauren’s were:
a) 1999: They scored TOP20 hit on mp3.com charts with their first-ever with their first-ever virtual all-girl group, namely TESLA GIRLS!
b)1978/1979: Ivan Gatsby participated in creating and arranging of a TOP10 (Germany) and a TOP20 (UK) hits, accompanied with his partner at that stage, David Stone.
c) 1989: as well as blockbustering the SEE media environment with the tabloid weekly (ST) which changed the history of Europe, desintegrated a state and introduced new values to the public perception.
Gatsby and Lauren’s story starts in 1997. when Gatsby, priorly having been hailed as a ‘grandfather of techno pop’ (1969), later to become an innovateur preceding forthcoming punk wave with a demo ‘The Laughing Hero’ (1975, recorded in London, supported by his partners David Stone aka Berndt Schneider), teamed up with a composer, performer, instrumentalist and sound engineer Isac Lauren, with aim of creating the very finest of commercial music releases ever. Currently recording in an almost state-of-art private studio (WHITELIGHT STUDIO!), demoing on their own home studio, Gatsby and Lauren are reported to be exceeding their primary goals with their opening album THE WORLD WE ARE A-CHANGIN’.
The songs derived therefrom, ‘DON’T WORRY, MA, NOTHING IS GONNA BE ALRIGHT’ and ‘SECRET OF MY LIFE’ are being streamed only on Betarecords.com and previewed/sold at Musisdock.net at the bargain price.
The album is to be followed by a Tabloid Melodic Punk project (COHEN, formely known as: THE TOUCHDOWNS) and Tabloid Techno Pop (DAta!DAta!), as well as the principal artists from their roster, such as ARIEL tHE TEMPLAR (Soft Rock/ Grand Epic/ Neo Brit Pop etc.),TESLA GIRLS! (Global Sympho Pop) and so forth.
Provided the required agreements about distribution and related issues are signed by March 21,2007, the hereinabove albums shall be issued by the end if 2007. THE WORLD WE ARE A-CHANGIN’, a soft and artsy hommage to American folk (protest and /country rock), unifies a variety of genres which Gatsby and Lauren have implemented into a unique Gatsby and Lauren’s style under umbrella term: AFTER POP / ROCK NOIR.
The songs on the album THE WORLD WE ARE A-CHANGIN’ absorb the best of all applicable genres and subgenres, blended into a unique Gatsby and Lauren’s format, not rarely counterpoiting (eg. Glam Rock vs Protest Folk harmonies), being lyrically divided (loosely) into four basic stories:
1. A young man from province, helpless, hopeless, wishing to modify the cirumstances he was born into, and seemingly imprisoned by (the songs corresponding thereto, a.o. : ‘Secrets of My Life’; ‘A Town with No Name’; ‘Storyteller against the Rain’;
2. Memorabilia of good ole West, fresh times, dreams we all cherished while being young and identified ourselves within parameters of the times and society (a.o.: ‘The Storm A-Comin‘; ‘Anywhere You Seem’; ‘After the Kiss…They Call Love’);
3. Welfare cause activities as once started by the KnightTemplars, followed and globalised by Masonic rites (comprised in the anthems such as, a.o.: ‘Brothers-in-Blood’; ‘Message to the People’; grand Nashville-based anthem ‘Walk on by (And Never Stop)‘;
4. Pink Floydish dark cynism,croos- collateralised with Leonard Cohen’s Jewish scepticism,both interwining through every song of the album, particurarly thru the bitter yet glamorously noble protest song ‘Don’t Worry, Ma, Nothing Is Gonna Be Alright’. As to it: ‘The Masterpiece! ‘, cried a noted 54-year old critic, after having listened to the rough-level demoes, the lyrics still having not been upgraded. ‘A Million Seller!‘, claimed the insider and manager in the music industry claimed, yet Gatsby and Lauren were fully unavailable for his offer.
Hence, the album THE WORLD WE ARE A-CHANGIN’, as well as Gatsby and Lauren’ brand, is a media/business opportunity, abundant of substance, catchy melodies and hooks, in-depth lyrics, selling and marketing unique points. The songs anyone can interpret and tailor to his/her circumstances, and at the end of day it is the album you would like to send to the space as a showcase of humankind to any extraterrestrial life on a higher mental level than we are.
‘It is like and epitaph, the highest achievement’, the critic concluded his view of what he claims, shall be a truly sensational album, one of the very best debut albums ever….
Holding hit after hit, THE WORLD WE ARE A-CHANGIN’ is destined to live for decades to come… Soft, decent, cool, genuinely sincere, a landmark of the upper style and manners. The album which provides identification.
BEST OF ALL, GATSBY AND LAUREN SHALL PROVIDE THE INVESTOR/ DISTRIBUTOR WITH COLLATERALS RANGING FROM MARKETABLE INTELLECTUAL PROPERTY; START-UP INSURANCE POLICIES WHEREVER APPLICABLE THERETO SUCH AS COMPREHENSIVE GENERAL LIABILITY – HEALTH INSURANCE – DISABILITY INSURANCE – LIABILITY INSURANCE – PRODUCT INSURANCE – PROFESSIONAL LIABILITY (MALPRACTICE) – PROPERTY INSURANCE AND IF REQUIRED, UMBRELLA INSURANCE, COVERING ALL THE DUES UNTIL THE FULFILLMENT OF AGREEMENT’S CONTENT.
At the end, let’s not forget to memorise the spectacular Gatsby and Lauren’s charity song BROTHERS-IN-BLOOD and the web site (www.virgin-euro.com; ceased to be active as of 2002.), both rush – released on September 13, 2001. God bless all the innocent mothers, fathers and he heroic innocent people who were the victims of the Islamic terror,the one we in Europe have been familiar with for more than 500 years.