THE EQUIPMENT (TO-BE) UTILISED AT THE DEVELOPMENT AND RECORDING OF THE ALBUM ‘THE WORLD WE ARE A-CHANGIN’:
As a proof of professionaly developed and executed product, the studio equipment for any phase of the product development and execution, supported by relevant software, which Ivan GATSBY and Isaac LAUREN currently utilise is listed hereinunder. The list, however, displays only selection of the full-capacitity equipment Gatsby and Lauren use.
Selected list of the equipment employed thereby:
LAUREN HOMESTUDIO FOR COMPOSING, DEMOING:
- Mackie Sound Mixer 24/8
- Sampler E-MU ESI 4000
- Proteus 2000
- Alesis Quadreverb Q2
- Lexicom 100
- Sehnheisser Mic’s
- Roland HD18880
- Yamaha, Tannoy Studio Monitors
- Tascam CD700 Recorder Master,
As well as other devices and applicable software, for the upadating and upgrading of th equipment has been a permanent process with aim of achieving the perfect professional sound within the limits of Gatsby and Lauren’ current financial capabilities.
WHITE LIGHT STUDIO EQUIPMENT:
- Mackie D8b (x 2)–
- Focus Right Preamps
- TVBE Tech…
- TL Audio Preamps
- Lexicon PCM 91
- TC Electronic 2000
- Mackie Studio Monitors
- Sony LCD Monitors (x 4)
- Apogee WorldClock Cards
- Mogami Cables
- Mackie Hard Disc system
- Cubase 3.0 Software
THE TIMELINE OF GATSBY & LAUREN’S CREATIVE PROCEDURE:
Drafts of melody/harmony lines, lyrics, and related contents are rehearsed, filtered out and defined by Gatsby and Lauren through the sessions in their Sound Atellier located in a highly sophisticated urban environment.
The melodies, harmonies, lyrics are synchronised, hooks elaborated in their substantial entirety, the final fixing of the lyrics, titles. The rough demoes (guitar,piano, vocals) are made, in the projected dynamics, and are processed by their private HIT POTENTIAL METER software for evaluation and possible correction.
Most of the songs created are recorded in their rough shape, melody-,harmonywise. The songs of more complicated structure are demoed for the sake of refining each bit of it.
Songs are recorded in the studio within the free terms, often thru the night. This is why Gatsby and Lauren would like to accomplish the deal/agreement with a serious investor/ label-distributor: to utilise their benefits as to the studio, and book it for a month at bargain price to complete the recording of album THE WORLD WE A-CHANGING’, the Choir and other bonuses inclusive, and to develop the basic tracks and sound design for ther project to follow-up, such as: 1. DAta!DAta! – Kiss Me Automatic…It’s So Chic / Proud To Be Catholique (Eurosong 2007 ex-candidate, a superb marketing story thereabout), 2. COHEN – Hallo. How Are You? / They Always Come Back / Have You Seen Anything At All, a.o. as SUPER eP (EP), announcing COHEN’s album COMMUNICATION LOST, as a Gatsby and Lauren’s issue after their debut album as producers, composers, soundengineers, arrangers, performers, marketing and business designers relating to the niche positioning of the Brand and Acts featured therein, as well as online-offline comprehensive commercial platform projected to serve the cause of product and service development and finalisation of the projects involved, both media-; and business-wise.
Mastering; mixing; enrichening the song and enhancing it’s potential, placing it as magically driven anfd fully commercially viable art of commercial work.
TIMELINE OF THE MUSIC PROJECT DEVELOPMENT:
The recording of Gatsby and Lauren’s debut album THE WORLD WE ARE A-CHANGIN’ , whose mission is to set standards of Gatsby and Lauren’s artwork, commercial targets and introduce them as credible creative and business partners referring to HIT INDUSTRIA Programe (Music; ePress, Film Development, Original books publishing, New Media investment, Media business services relating to the financial instruments used thereby etc.) as well as their business development projects, such as forming a VC company as the founder of the ‘plusBANK’, plusINVEST’ etc., the strategic project within the realm and policy of SEE countries Ivan Gatsby participated in. The recording shall be executed with the perfomance of an in-house choir, named for the purpose GREGORIAN DEI CHOIR, a 14-vocals strong unit, as well as the software featuring a well-known Philharmonic Orchestra. The lead vocals shall be performed by Isaac Lauren, backed up by a female vocals whenever so required.
Some rough drafts as to the albums covers of Gatsby and Lauren roster are displayed hereinunder:
MARCH /APRIL 2007:
Mastering, Mixing, MetaData Enabling for the album THE WORLD WE ARE A-CHANGIN’, the online site platform being developed and created, as well as the marketing materials such as video spot (Brothers-in-Blood). Singles by DAta! DAta! Recorded, mastered, mixed. Their identities created and unique marketing scheme released. The contracts with the outosourcing creative partners as to basic track/sound design under set paramethers deliverance are signed
Recording of COHEN’s debut album COMMUNICATION LOST, following the SUPER eP issued earlier. Developing TESLA GIRLS! single ‘Summertime Cola’ / ‘Alert on Planet Earth’ , projected to be a SummerHit of 2007 around the world. Developing and recording DAta!DAta! album ONE FOREVER AFTER. Announcements of the principal project ARIEL tHE TEMPLAR are made.
Mixing, mastering of COHEN’s and DAta!DAta’s albums, all metadata readied. Recording of ARIEL tHE TEMPLAR’s album WORLDS INSIDE (alt. FROM THE SHADOWS THEY CAME).
SEPTEMBER /DECEMBER 2007: Gatsby and Lauren display their MegaHit Catalogue, containing cca 200 songs, majority of which posses hit;megahit potential, primarily used and to be used by their in-house acts. The recording, mastering mixing of ARIEL tHE TEMPLAR’s debut album, as well as TESLA GIRLS! album AN EVENING ON EARTH, to follow relaease of AtT‘s album. Marketing and business designes for TG!.
Development and recording Gatsby & Lauren’s second on-off album, featuring up to 16 songs, TURN OF THE CARDS. Mastering, mixing.
NOTE: Each of the hereinabove stages implements the related activities of marketing, acts’ full-capacity design, related business activities, etc.